But the spectacle is not merely a matter of images, nor even of images plus sounds. It is the true reflection of the production of things, and the false objectification of the producers The spectacle in its generality is a concrete inver­ sion of life, and, as such, the autonomous movement of non-lifeTHE SPECTACLE APPEARs at once as society itself, as a part of society and as a means of unification. This amalgamation might be summed up by slightly revising Thesis of The Society of the Spectacle,